An uplifting celebration of European sacred music unfolded at the Leicester Bach Choir’s concert, reviewed by John Dilleigh for the Leicester Mercury on March 31st, 2010. The evening featured two substantial masterpieces alongside two smaller yet delightful works, showcasing the choir’s rich history and immense talent, all under the inspired direction of conductor Richard Laing.
The concert began with Johann Sebastian Bach’s Magnificat, one of his most sparkling and engaging vocal works. The Magnificat text is a canticle of Mary, mother of Jesus, from the Gospel of Luke, and the choir’s interpretation captured its celebratory spirit. The synergy between the Leicester Bach Choir, Queens Park Sinfonia, and an outstanding quartet of soloists made for an exquisite performance. The soloists — April Fredrick (soprano), Suzanna Purkis (mezzo-soprano), Tim Ochala-Greenhough (tenor), and Gwion Thomas (baritone) — each brought style and sincerity to their roles, with clear diction and heartfelt expression. While the tenor’s voice was occasionally a touch light in comparison to the orchestra, the quartet worked harmoniously to deliver an evocative rendition.
The second major work of the evening, Mozart’s Mass in C Major, known as the “Coronation Mass,” filled the venue with its rich textures and jubilant tones. Originally composed for Easter Day, this mass later earned its regal nickname in the mistaken belief that it was intended to mark the crowning of the Virgin Mary in Salzburg. Nevertheless, the Leicester Bach Choir’s performance truly embodied the grandeur and joy associated with this glorious piece. Conductor Richard Laing ensured that balance and articulation remained spot on throughout the evening, making the most of the youthful energy of the Queens Park Sinfonia.
Two smaller works, Mendelssohn’s Psalm 98 (Sing to the Lord a New Song) and Brahms’s rarely performed Nänie, added further depth to the programme. The exultant, uplifting setting of Mendelssohn’s psalm created a sense of joyous reflection, while Brahms’s Nänie provided a more intimate and moving tribute, written as a eulogy to his friend, the artist Anselm Feuerbach. Both pieces fitted perfectly into this splendid evening of sacred music.
As the audience gathered to celebrate the Leicester Bach Choir’s 80th anniversary, the atmosphere brimmed with vitality and reverence. Laing masterfully drew out the grandeur and humanity of the works, with excellent dynamic contrasts, lively rhythms, and a deep sense of drama. A truly unforgettable night of choral music, the performance was a fitting tribute to this beloved institution’s long-standing musical legacy.